A good song often has a good hook. Twin Limb won me over by making their chorus into this separate entity, different from the synthesizer soaked verses. The chorus is quiet, slow, and heavy-footed. The lead singer, MaryLiz Bender, drags on the repetitive words, “don’t think about it,” giving weight to each word. She uses the least amount of air as she falls off each note, and then on the last line, it’s almost as if she can’t muster enough energy to sing “About It.” New album is titled “Anything is Possible and Nothing Makes Sense” out on Friday, November 13.
Let’s get back to it. Not often do I dabble in the post-punk genre, but I recently stumbled upon this driving, passive-aggressive throwback from Dirt Dress, an LA band, who has a penchant for sounding loose, when in fact the pieces are very deliberately placed that way. Looking forward to what project is next in store.
Enjoy by: summer
Pairs well with: PBR tallboy
In light of “Throwback Thursday or #tbt” which involves posting something that has nostalgic value, we at RunTheMill wanted to turn this popular convention on its head. This weekly posting will share a song that is either ahead of its time or attempts to push us out of our comfort sound zone.
Artist: Jack Grace
In “Hills,” the Auzzie musician Jack Grace, isn’t looking to calm your nerves. He is trying to leverage our sensibilities and take advantage of our penchant for normal pop musical structures. The song begins with a seemingly innocent voice alongside bass, but the song is immediately distorted into a glitchy despondent place. Time builds this tension until it is released when we enter the piano section. That familiar verse is paired with silky jazz chords that make the wait worth it. Have a Happy Fourth of July!
Twenty-nine pearls in your kiss
A singing smile
Coffee smell and lilac skin
Your flame in me
No one sings like Jeff Buckley, nor can anyone reach his emotional depths. But lead singer of HAERTS, Nini Fabi, seems to understand the stakes of covering a Jeff Buckley song. Drenched in HAERTS’ classic 80’s orchestration, the cover does a great job at going in a completely different direction, separating the chorus from the minimalistic, dreary verses. The chorus blossoms into a shimmering idea, but never speeds out of control. Compare the versions of each song below: