Twenty-nine pearls in your kiss A singing smile Coffee smell and lilac skin Your flame in me
No one sings like Jeff Buckley, nor can anyone reach his emotional depths. But lead singer of HAERTS, Nini Fabi, seems to understand the stakes of covering a Jeff Buckley song. Drenched in HAERTS’ classic 80’s orchestration, the cover does a great job at going in a completely different direction, separating the chorus from the minimalistic, dreary verses. The chorus blossoms into a shimmering idea, but never speeds out of control. Compare the versions of each song below:
It’s nice to bump into albums, even if it’s a month or two after they’ve been released. It happened as I came across the new LP “The Bearer of Bad News” from Canadian singer-songwriter, Andy Shauf. His music is often sleepy, harmony-heavy and full of cryptic imagery. I’m also a big fan of those nasally clarinets. Check out the upbeat indie beat “You’re Out Wasting” and the weary “I’m Not Falling Asleep.”
Mercury Prize nominees Villagers are regular critic sweethearts. As Conor J. O’Brien, the singer and songwriter, said in an article by Kernan Andrews -“I also feel an ‘impostor syndrome’ about it. I don’t actually deserve all the praise that’s going around.” Conor has a way of painting a scene with all of your senses accounted for and all of your emotions hanging on your sleeve.
“Remember kissing on the cobblestones in the heat of the night/ And all the pretty young homophobes looking out for a fight/ We got good at pretending, and pretending got us good.”
As the seagulls chime a few last words, it is definitely looking like we might have ourselves a hot scary summer. The full album comes out April 14, 2015.
Sampled in a preview for the current season of The Walking Dead, the acclaimed TV series on AMC, Patrick Watson’s “Love Songs for Robots,” is murky and mysterious. Its experimental sounds move from background noise to the forefront and back again almost seamlessly, and his orchestration is top-notch, especially in the way the song continuously shifts in shape. Look for his album that comes out on May 11th via Domino Records.
In light of “Throwback Thursday or #tbt” which involves posting something that has nostalgic value, we at RunTheMill wanted to turn this popular convention on its head. This weekly posting will share a song that is either ahead of its time or attempts to push us out of our comfort sound zone.
Jon Lawless – “Capital (feat. Daniela Andrade)”
This song has an almost innocent energy that builds from within and emits steadily outward. It can particularly be hear between Jon’s voice, which provides the effortless narrative and Daniela’s upper register harmony. It creates a hollowness. The same quality can be found in the introduction of Dillon Francis’ collaboration with Totally Enormous Extinct Dinosauars, “Without You.” But in contrast, whereas “Without You” seeks an EDM-approved drop to provide a recognizable structure to the listener, “Capital” doesn’t let go of the hollowness. We end up wanting a little more.
It’s always great to have a visual aid to sound, especially one with as universal a message as this. The recognizable and outspoken Maise Williams (Game of Thrones) is a perfect fit. Concerning the band, Seafret is a British duo, formed by Jack Sedman (vocals) and Harry Draper (guitar), and hopefully this is their chance to break it stateside.
Cold? Feeling lethargic? Let the carefree musical rays of Keith Meade’s single “Polite Refusal” seep in. The song’s bounciness and playful chord progressions cut right through to that memory of childhood innocence. The upcoming album “Sunday Dinner” comes out on February 23rd.
Jordan Klassen is back. The Vancouver-based musician, released his LP Repentance on Nevado Records almost a year ago. He actually recorded Repentance with producer/Multi-instrumentalist Jonathan Anderson who worked with another RTM favorite Aidan Knight. The easy comparison is to Sufjan Stevens, but his newest single has the indelible hook that could help get him some serious radio play in the near future.