They probably are sick and tired of the comparison, but when you are talking gritty, southern rock with a natural affinity toward pop melodies, Kings of Leon definitely comes to mind when I listen to Broken Witt Rebels. What many forget is that the Kings of Leon started playing in the basement of Jackson, Tennessee only to become a frequent headliner at festivals around the world. Just listen to that first line and the way he rolls his “out:” “It’s in the way she keeps calling me oooouttt.”
The lead single off Ryley Walker’s his upcoming sophomore album is beautifully open and lacking in structure. Although Ryley’s guitar skills are the show, I love the jangly piano, the off-beat snare drum hits, and the constant improvisatory background noise. Not enough music formats allows the artist to elongate these type of grooves. It’s only then that the musician can you really start exploring.
Soft-spoken, free-spirited folky quartet from San Fran to start your Monday off right.
Sometimes you have days where all the songs you listen to sound as flat as a cherry cola left out in the sun all afternoon. Then, you get hit with a retro blues, foot-tapping track like “Let the Good Times Roll” by JD McPherson. About the title, McPherson said, “It’s like a Pavlovian reaction to hear that phrase and feel like you’re supposed to have a good time.” His new album comes out February 10th.
Laura Marling sheds her acoustic guitar to shred an electric in her new song “False Hope.” She starts off hesitant and ends up rocking out. Take a close listen to the natural, aggressive rise of her narrative. She reaches a sharp-tongued climax as she yells, rather than sings, “Neither of us is gonna sleep tonight!” It’s a jarring, mischievous line that fits perfectly within the sung chorus. And for icing on cake, her apartment is on the Upper West Side…
In light of “Throwback Thursday” or “#tbt” which involves posting something that has nostalgic value, we at RunTheMill wanted to turn this popular convention on its head. This weekly posting will share a song that is either ahead of its time or attempts to push us out of our comfort sound zone.
Public Service Broadcasting – “Gagarin”
The new album by Public Service Broadcasting, “Race For Space” fits succinctly within our “Futuristic Friday” theme. 1) It’s otherworldly. “Gagarin” features radio or TV clips describing the first man to journey into outer space and orbit the earth, Russian astronaut Yuri Alkseyevich Gagarin. 2) It’s infectiously funky. That horn section. 3) See video. I definitely see a resemblance to the Capital Cities’ jam “Farrah Fawcett Hair,” below. Happy weekend.
“I am on my hands and knees
Bending at the heart of me
Hiding in the midnight of my soul
Please don’t break the shell that I call home”
In “Ophelia,” Marika’s loneliness takes form in many different ways: the guitar strums on the 2nd and 4th beats, the distance of her voice from the microphone, the eerie vibrato, the lack of a full drum set, just to name a few. All of these sounds together create a deep, dark, beautiful misery.