Future Islands @ Terminal 5

Future Islands

Venue: Terminal 5

Date: 1/8/2015

Rating: 4/5

If you want to sing like a madman and dance like one too, I recommend you see Future Islands at their next tour stop. Front man Samuel T. Herring doesn’t hold back, flying across the stage in wild sometimes violent, sometimes carnal, and often poetic movements. And while his performance was melodramatic to say the least, I believe he never stopped being genuine. He had complete control of the audience, almost conducting us to the musical roller-coaster that is Future Islands. It’s a quite a feat to combine the highs of positivity and celebration with the depths of nostalgia and sadness, but he pulls it off by switching from deep growls to whispering coos to soaring choruses. In “A Song For Our Grandfathers,” he sings about the importance of our lineage and the mistakes of our past:

“Save for the smoke, that danced when I took a drag
It made me think about the way it all came to be…”

My main critique was that the other band members took too much of a backseat, their faces expressionless and their body language, languid. Maybe, that’s a product of playing the same songs every night, but I would have liked a little more collaboration. Overall, four stars for a show that couldn’t keep me still. As Future Islands describes on its twitter account, “too loud for new wave, too pussy for punk.”

Here is a performance On Letterman:

OMN – In Quiet Rooms

Ollie McKendrick-Ness (OMN) begins “In Quiet Rooms” with what sounds like someone sitting, strapping on an acoustic guitar, taking a breath, and then singing. He then layers warm and colorful electronic sounds, which encase his guitar and voice in this still quiet space. What I enjoy is that the song is never overwhelmed by an excessive layering of synths. OMN stays in this one comforting place, rather than traveling in a different direction.

Operators – “True”

New initiative from Dan Boeckner (member of Wolf Parade/Handsome Furs/Divine Fits) is called Operators and they have a refreshing and an irresistible earworm of an EP out now. My favorite track is “True.” It’s got the riff that makes you want to dance like you are at a LCD Soundsystem concert. Looking forward to seeing them open for Future Islands January 8th at Terminal 5 in NYC. A review to follow.

And one more:

All Dogs – “Georgia”

They may be simple songs, but they are fully-loaded. The alt-rock trio, “All Dogs,” hails from Columbus, Ohio, and while the band’s songs often sport pared-down lyrics and the typical three power chord structure, the lead singer Maryn Jones tells it honestly. That alone, is sometimes the perfect remedy for the complicated dejection she sings about. And as an artistic notation, that rising guitar note which harmonizes with her melody at the one minute mark is chilling.

Christmas Comes But Once a Year

Each family has its idiosyncrasies around Christmas season. Our family happens to partake in a yearly sharing of Christmas music, both old and new. Occasionally, there will be singing. This past weekend, my brother and friends shared our Christmas cheer at the famed McSorleys’ Old Ale House in the East Village (light and dark beer are the only drinks they serve). We partook in some amateur caroling while hoisting our drinks on top of wooden benches and tables…the same tables my Grandfather drank at in the 1960’s.

While Christmas music has its detractors (given the clear commercial exploitation of the season), this time of year always make me nostalgic about those who are no longer with us, but who equally enjoyed these same damn tunes. In that spirit, I have compiled a small list of some of my favorites for your enjoyment, both old and new. Merry Christmas.

Leif Vollebekk

I have a bad habit of showing up late to concerts and missing an opening act that I later discover I like as much as the group I’m going to see. That happened to me last month when I went to go see The Barr Brothers and showed up after Leif Vollebekk’s set. I wake up in the middle of the night haunted by my mistake these days. Leif, hailing from Montreal, does the singer-songwriter gig as well anyone out there right now, blending Americana sounds with a Canadian sensibility.

I put on Lou Reed’s Berlin
I had a friend once that asked me..”Who needs Berlin?”
“Well”, I said, “I guess it depends on the state that you’re in.” 

__

And here’s a cover of The Killers

Emmy the Great – “Swimming Pool”

hey, rich kid
I’m here, I want it
the sunshine, your time
the goodtime, and
your blue swimming pool

Emmy the Great, real name Emma Lee Moss, has released “Swimming Pool,” which is a single for an album we can expect in 2015. Her lyrics and voice are both beautiful and haunting at the same time. Also, I am a sucker for harmonies that stretch over a few octaves, so she has that working for her too.

D’Angelo – Black Messiah

The term instant classic is usually associated with sports, not so much music (at least by people who respect the term classic). It takes a long to decompress a great album, and often years or even decades to understand it’s place within a genre. Understanding that, I feel little apprehension in deeming D’angelo’s Black Messiah an instant classic. Coming 15 years after the transcendent Voodoo, this album is loose and free-flowing, denying any sense of an over-thought, belabored studio presence. It’s also complex, penetrating, political, moving, and sonically astounding. There’s truly something holy about this man’s music.